What is and when was modernity. Lecture 1. Modernity and Modernism презентация

Содержание

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Chicago Crown Hall, Illinois Institute of Technology, 1950-51, Mies van der Rohe

From Here

to Modernity CCS Mini-programme 1

The Titanic - Photomontage, Stanley Tigerman, 1978, USA

Chicago Crown Hall, Illinois Institute of Technology, 1950-51, Mies van der Rohe From

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Modernity and Modernism

Modernity and Modernism

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Modernity and Modernism

cubism

expressionism

dadaism

futurism

surrealism

serialism

etc...

Modernity and Modernism cubism expressionism dadaism futurism surrealism serialism etc...

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Modernism

Dominant ideology throughout western industrialised world in art, design and architecture for most

of the twentieth century

Modernism Dominant ideology throughout western industrialised world in art, design and architecture for

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Modernity

The social conditions and experiences that are the effects of modernisation.
Technological, economic

and political processes associated with the industrial revolution and its aftermath.

Modernity The social conditions and experiences that are the effects of modernisation. Technological,

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Forth Bridge under construction c 1888

Forth Bridge under construction c 1888

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Glasgow c 1880s

Glasgow c 1880s

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JWM Turner, The Fighting Temeraire Tugged to her Last Berth to be Broken

Up, 1838

JWM Turner, The Fighting Temeraire Tugged to her Last Berth to be Broken Up, 1838

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JWM Turner, Steamer in a Snowstorm, 1842

JWM Turner, Steamer in a Snowstorm, 1842

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Modernity was a term first used by 19th century French poet and critic

Charles Baudelaire to denote the experience of living in the new modern world

Modernity was a term first used by 19th century French poet and critic

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Baudelaire talked about the ephemeral, the fugitive and contingent aspects of living in

the new modern world.

Put simply:
life seemed to have speeded up

Baudelaire talked about the ephemeral, the fugitive and contingent aspects of living in

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All fixed, fast-frozen relations, with their train of ancient and venerable prejudices and

opinions are swept away All that is solid melts into air Karl Marx 1848

All fixed, fast-frozen relations, with their train of ancient and venerable prejudices and

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Modernity:
speed and change

Modernism:
gave form and symbolic expression to the consciousness of modernity

Modernity: speed and change Modernism: gave form and symbolic expression to the consciousness of modernity

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Giacomo Balla
Girl Running on a Balcony, 1912

Eadweard Muybridge, 1882

Etienne-Jules Marey, 1878

Giacomo Balla Girl Running on a Balcony, 1912 Eadweard Muybridge, 1882 Etienne-Jules Marey, 1878

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Boulevard Richard-Lenoir, Paris, 1861-3

Boulevard Richard-Lenoir, Paris, 1861-3

Boulevard Richard-Lenoir, Paris, 1861-3 Boulevard Richard-Lenoir, Paris, 1861-3

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Camille Pissarro, The Boulevard Montmartre at Night, 1897

The Boulevard Montmartre 1870/79

Camille Pissarro, The Boulevard Montmartre at Night, 1897 The Boulevard Montmartre 1870/79

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Else Thalemann, Eiffel Tower 1930

The law of progress is immortal, just as progress

itself is infinite

Else Thalemann, Eiffel Tower 1930 The law of progress is immortal, just as

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André Kertész, Shadows of the Eiffel Tower 1929

André Kertész, Shadows of the Eiffel Tower 1929

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Robert Delaunay
Eiffel Tower 1910

Robert Delaunay Eiffel Tower 1910

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Robert Delaunay
Sun, Tower, Airplane, 1913

Robert Delaunay Sun, Tower, Airplane, 1913

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Fernand Léger
The City, 1919

A modern man registers a hundred times more sensory impressions

than an eighteenth century artist
Fernand Léger 1914

Fernand Léger The City, 1919 A modern man registers a hundred times more

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Georges Braque
Clarinet and Bottle of Rum on a Mantelpiece
1911

Georges Braque Clarinet and Bottle of Rum on a Mantelpiece 1911

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Clement Greenberg art critic (1909-1994) Modern art can be related to the changing forms

of modern life, even when it does not depict modernity

Clement Greenberg art critic (1909-1994) Modern art can be related to the changing

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Paul C ézanne, Montagne Sainte Victoire, c 1887

Paul C ézanne, Montagne Sainte Victoire,

c 1887

Paul C ézanne, Montagne Sainte Victoire, c 1887 Paul C ézanne, Montagne Sainte Victoire, c 1887

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The whole arrangement of my pictures is expressive … Composition is the art

of arranging in a decorative manner the various elements at a painter’s disposal for the expression of his feelings.
Henri Matisse

The whole arrangement of my pictures is expressive … Composition is the art

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Henri Matisse, Harmony in Red, 1908

Henri Matisse, Harmony in Red, 1908

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Formalism: based on approach which emphasises line, colour, tone, and mass at the

expense of the significance of the subject matter

Based on theories of Clive Bell and Roger Fry

Clement Greenberg
Essay: Modernist Painting 1960

Formalism: based on approach which emphasises line, colour, tone, and mass at the

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Modern art to me is nothing more than the expression of contemporary aims

of the age that we’re living in … It seems to me that the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture. Each age finds its own technique. Jackson Pollock 1950

Modern art to me is nothing more than the expression of contemporary aims

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Jackson Pollock, Number 1A 1948, 1948

Jackson Pollock, Number 1A 1948, 1948

Jackson Pollock, Number 1A 1948, 1948 Jackson Pollock, Number 1A 1948, 1948

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Andrea Gursky, Los Angeles , 1998

Andrea Gursky, Los Angeles , 1998

Andrea Gursky, Los Angeles , 1998 Andrea Gursky, Los Angeles , 1998

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