Слайд 2
![Hatching, Cross-Hatching and Stippling are drawing techniques designed to by lines and dots.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-1.jpg)
Hatching, Cross-Hatching and Stippling are drawing techniques designed to by lines
and dots.
Слайд 3
![This technique allows the artist control over tones and detail,](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-2.jpg)
This technique allows the artist control over tones and detail, while
using the white of the paper for luminosity.
Слайд 4
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-3.jpg)
Слайд 5
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-4.jpg)
Слайд 6
![The mark making can be loose and expressive….](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-5.jpg)
The mark making can be loose and expressive….
Слайд 7
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-6.jpg)
Слайд 8
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-7.jpg)
Слайд 9
![or tight and controlled.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-8.jpg)
Слайд 10
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-9.jpg)
Слайд 11
![Either way, be conscious of how your marks should support the underlying structure of the form.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-10.jpg)
Either way, be conscious of how your marks should support the
underlying structure of the form.
Слайд 12
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-11.jpg)
Слайд 13
![Be aware of how each drawing media will affect application and appearance.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-12.jpg)
Be aware of how each drawing media will affect application and
appearance.
Слайд 14
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-13.jpg)
Слайд 15
![Left drawing is done in graphite, right drawing is done with charcoal.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-14.jpg)
Left drawing is done in graphite, right drawing is done with
charcoal.
Слайд 16
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-15.jpg)
Слайд 17
![As well as the color and tone of your paper.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-16.jpg)
As well as the color and tone of your paper.
Слайд 18
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-17.jpg)
Слайд 19
![Notice how much your tone becomes part of the drawing.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-18.jpg)
Notice how much your tone becomes part of the drawing. This
is a great example of editing. More is less.
Слайд 20
![Too much white…not enough tone is allowed to be part of the drawing.](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-19.jpg)
Too much white…not enough tone is allowed to be part of
the drawing.
Слайд 21
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-20.jpg)
Слайд 22
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-21.jpg)
Слайд 23
![Finally, be aware of how the artists use a similar](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-22.jpg)
Finally, be aware of how the artists use a similar color
of drawing tool as the paper, so they work together.
Слайд 24
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-23.jpg)
Слайд 25
![](/_ipx/f_webp&q_80&fit_contain&s_1440x1080/imagesDir/jpg/53779/slide-24.jpg)